祝贺尹虎彬、巴莫曲布嫫二位民族学者通过学位论文答辩！！！

萧放

6月25日，上午北京师范大学文学院在曾宪梓教学楼102室举行了民俗学博士学位答辩会，这是文学院民俗学与社会发展研究所、民俗学与文化人类学研究所成立之后的首次博士学位论文答辩。民俗学博士候选人尹虎彬、巴莫曲布嫫二位在钟敬文教授辞世之后，由刘魁立教授继续指导。尹、巴二位在田野方面作了扎实的工作，论文得到与会专家的肯定，顺利通过博士学位论文答辩。均获得了“优秀”的评价，在此特致衷心的祝贺。
上述两所还有陈金文、杨秀、康丽等三位博士候选人将在近期先后进行学位答辩。预祝他们的成功！！

萧放

答辩现场

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尹虎彬

萧放

巴莫

萧放

巴莫

萧放

巴莫

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巴莫

萧放

巴莫

shi

恭喜两位新榜进士！
巴莫的服装很酷啊。

淇园之竹

有没有论文摘要什么的贴出来，好让小的们开开眼界。不然，看着香艳无比，尝不到岂不是让人遗憾

萧放

本人没有，请他们自己贴上来。

龙哥

祝贺！祝贺！热烈祝贺！！尹虎彬的论文是宝卷研究，在下目前对目连宝卷有所关注，何时拜读大作？巴莫的论文是不是彝族英雄史诗？那就更是着急要早日全文拜读了。如果我没有记错，北师大民间文学教研室已经产生了三篇少数民族英雄史诗的博士论文了。可贺！可贺！

巴莫曲布嫫

萧放 于 2003-6-26 16:56 写道：
本人没有，请他们自己贴上来。

不好意思。谢谢师兄萧放与各位的捧场。
论文概要如下，请各位指正：

论文题目：《史诗传统的田野研究：以诺苏彝族史诗“勒俄”为个案》
作者：巴莫曲布嫫
导师：钟敬文教授  刘魁立教授
系别、年级：中文系  98级
学科、专业：民俗学
研究方向：民间文艺学
北京师范大学研究生院

──谨以本学位论文献给恩师钟敬文教授

论文：1）通过一个地区──义诺彝区腹地美姑县──的史诗传承及其深隐的话语世界，2）通过一位传统中的史诗演述人──曲莫伊诺及其习毕学艺和表演实践，3）通过理解地方知识与民间话语中的史诗本体观念及其传统法则的深刻表达，4）通过“克智”口头论辩传统与史诗演述的内在机制、运作方式及特定的口头艺术过程，5）通过山地社会的仪式化叙事语境与史诗田野研究中的演述场域的确定，逐一讨论了史诗田野、史诗传承人、史诗传统法则、史诗演述的生命情态等互为关联的重要问题，并在此基础上，提出建立观察与捕捉口头叙事的本质性表现的研究视界。这些有关史诗传统的学理性思考与相关术语的提炼，正是本文作为田野个案研究的意义所在。

关键词：
诺苏彝族  史诗“勒俄”  田野研究  史诗传统法则  口头论辩  史诗演述  演述场域


[ 本帖由 巴莫曲布嫫 于 2003-6-28 21:59 最后编辑 ]

巴莫曲布嫫

For my mentor Professor Zhong Jingwen──

Theme: A Field Study of Epic Tradition: Nuosu Epic Hnewo as a Case
Author: Bamo Qubumo.

Abstract

The present dissertation is based on a long-term field study concerning the indigenous oral traditions of the Nuosu, a subgroup of the Yi ethnic group who live in the Great Cold Mountains of southwest China. The study provides an in-depth look at the epic tradition known in Nuosu as “hnewo.”By taking the well-known epic Hnewo as a specific case, the author raises the following questions--questions that she encountered when attempting to mediate interpretive tensions that exist between the Nuosu's own ethnopoetic conception of their verbal art and scholars' conception of 'epic': How do the local people, who are deeply rooted in native traditions, articulate and name the central genres, poetic tenets, and modes of transmission within their local epic traditions of oral performance?  How does this terminology inform a phenomenon that we might call epic law in ‘local knowledge’? How do scholars from different academic perspectives think about their own institutional canon in light of the indigenous traditions? What is the place of a native scholar's ground within his/her own tradition and beyond?  The case of epic Hnewo is considered in terms of a) the basic story-patterns of epic narrative and emergent flexibility; b) the difference and connection between the rhapsody and the whole epic performance that inform this particular realization of narrative continuity primarily determined by ritualized situation; and c) the situated performance not only demands of a closing responsive and perceptive attention to bearers of epic tradition, but also a prudent field study of folklore in context with new tracking on epic register and traditional referentiality along with folkloristic interpretation to account for narrative rules and epic law that pre-existing in Nuosu's conceptions involved.

The present dissertation consists of a preface, an introduction, and five main chapters with illustrations, in addition to an epilogue and appendices. The appendices include transcriptions of certain parts of the epic hnewo, selected field interviews, relevant field notes and a Yi glossary of terms used in the present dissertation.

Key Words:

Nuosu epic hnewo-epic traditional law-living oral performance-verbal arts- epistemological approach

[ 本帖由 巴莫曲布嫫 于 2003-6-28 22:04 最后编辑 ]

巴莫曲布嫫

《史诗传统的田野研究：以诺苏彝族史诗“勒俄”为个案》

论文目次

绪  言... 1
引 论  彝族史诗研究中的文本及文本批评... 14
第一章 美姑：田野的发现... 41
第二章 曲莫伊诺：史诗演述人的发现... 78
第三章 史诗“勒俄”的文本形态与传统法则... 120
第四章 口头论辩中的史诗演述... 160
第五章 仪式与史诗：叙事语境和演述场域... 193
结束语：走近史诗传统... 214

附录：从略
图表目次：从略
[ 本帖由 巴莫曲布嫫 于 2003-6-28 22:06 最后编辑 ]