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[会议论文]Melon,Pot,Offspringcake

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发表于 2008-5-31 19:52:21 | 显示全部楼层
瓜•壶•子孙粑——生殖崇拜的诠释
一一鄂东南生殖崇拜遗痕略述
柯小杰
【摘 要】
    湖北东南部的生殖崇拜主要包括女阴崇拜、男根崇拜、祖灵崇拜和母亲崇拜等,大都有相对应的标志物,伴随着系列民俗活动。     
   “摸秋”的偷瓜习俗,实际是女阴崇拜的反映,出于巫术心理,人们早就将瓜与生育混为一团了,于是直接用瓜来预示生育。选用冬瓜或南瓜,则是因其个大,籽多,并且象女子怀孕时的体形。故民间以瓜来喻指女阴及女性,民间习惯将女子第一次性行为称做“破瓜”便是一例。故意惹菜园主人怒骂,且一定要骂,谓之“越骂越发”。过是生殖崇拜心理的表露,它有两层含义,一是主家的瓜被偷,意味其子嗣将减少,所以必然要骂,当然它也蕴含着主人家后嗣兴旺有“富余”的意思,故主人的骂并不真骂,而是佯骂,至多是惋惜些许财产的丢失,而作些发泄罢了;二是后世民间在崇拜性器官的同时,还认为性器官具有不洁性,因而骂人的话离不开它,而正是这种不洁,如同苗上壅肥,越壅越发,故此就有了“越骂越发”的怪异心理。
    毛铺邓氏家族祭祖的主要供品——子孙粑,又名“太公卵”,就是男性阳具崇拜的一种标志物,“子孙粑”含有繁衍子孙之义,而“太公卵”其义就显而易见了,再从它的形状看,圆条型完全是摹拟勃起状的男根,已见其崇拜的实质所在了。
    绣花枕顶的“杯壶纹绣”、 “哭血堂”、葫芦等有关民俗事项亦是生殖崇拜的习俗。
    有崇拜就有禁忌,鄂东南地区在存在生殖崇拜的同时,亦存在生殖禁忌。其主要的禁忌习俗表现有月经禁忌。

【主题词】鄂东南-生殖崇拜-标志物-民俗
   
    楚先民的生殖崇拜主要包括女阴崇拜、男根崇拜、祖灵崇拜和母亲崇拜等,它们大都有相对应的标志物,并伴随着一系发民俗活动。
    初民对女阴既女性生殖器崇拜的遗痕。我们可以从鄂东南地区现在仍然存在的有关民俗事项中得到例证。
    鄂东南乡村中秋之夜有“摸秋”的习俗。中秋佳节。月亮升起之时,有的人偷偷摸进邻家菜园,摘下冬瓜或南瓜(俗名饭瓜)并故意弄出响声.以引起菜园主人的怒骂,骂声越厉害越好。瓜偷到手后,将其描绘成一个小孩。在下面挖一小洞,用一红辣椒插在洞口(图2—1),然后裹上衣服,敲锣打鼓地送给无子人家,祝愿他家早生贵子。受瓜者晚上将瓜放在床内侧。由不育妇女陪着它睡。偷瓜人主要是亲朋好友,有的就是不育之女子或其丈夫。
    这种偷瓜的习俗,实际是女阴崇拜的反映,出于巫术心理,人们早就将瓜与生育混为一团了,于是直接用瓜来预示生育。至于选用冬瓜或南瓜,则是因其个大,籽多,并且象女子怀孕时的体形。故民间以瓜来喻指女阴及女性,民间习惯将女子第一次性行为称做“破瓜”便是一例。故意惹菜园主人怒骂,且一定要骂,谓之“越骂越发”。过是生殖崇拜心理的表露,它有两层含义,一是主家的瓜被偷,意味其子嗣将减少,所以必然要骂,当然它也蕴含着主人家后嗣兴旺有“富余”的意思,故主人的骂并不真骂,而是佯骂,至多是惋惜些许财产的丢失,而作些发泄罢了;二是后世民间在崇拜性器官的同时,还认为性器官具有不洁性,因而骂人的话离不开它,而正是这种不洁,如同苗上壅肥,越壅越发,故此就有了“越骂越发”的怪异心理。
    葫芦崇拜习俗在南方少数民族地区尤为盛行,在鄂东南地区汉民族中同样存在。诸如:“洪水型人类起源神话”,说人从葫芦(或南瓜)生出。《孟姜女传说》将孟姜女说成是孟、姜两家院墙间所结的葫芦中生出来的。也就是说,葫芦与女阴、女性及母体的观念直接相连。在日常生活中,母亲既是子女生命之所出,同时又是幼小子女的首席保护神,故在母系氏族社会里,母亲几近一位全能的“神”,作为母体象征物的葫芦也就具有神奇的力量,这种力量一直以潜意识传承至今。在乡村,每当男孩患疝气,俗称“气包卵”,则用葫芦瓢煎水喝。小孩患腮腺炎,俗称“痄腮”,也离不开葫芦:把葫芦瓢烤热,然后趁热在患处轻揉,边揉边吟唱:“痄腮,痄腮,葫芦瓢揉痄腮,越揉越开”。这些治疗方法是在巫术形式下进行的,给葫芦蒙上一层神秘的面纱。其实,葫芦本身就具有药用价值,中医以果壳入药,性平、味甘,功能利水消肿,主治水肿腹胀等症。
    葫芦,亦称壶芦、瓠。《毛传》日:“壶,瓠也。”随着时间的推移,父系氏族社会取代了母系氏族社会,男根崇拜也取代了女阴崇拜。作为转换期的记录,壶取代了葫芦,并反映在鄂东南的具体民俗事象之中。生小孩到外祖母家报喜,酒壶起着独特的作用,只要从礼篮、礼匣或礼盒中酒壶嘴的方向来判断,就可以知道是生男还是生女,壶嘴朝篮里,是男孩;壶嘴朝篮外,即生女,俗有“女生外向”之说。茶壶在乔迁新居时,寓有繁衍子孙义,每当新居落成搬迁时,亲朋好友纷纷用茶壶盛糖茶送到新居以示恭贺。从这里我们可以知道壶已由女阴标志物开始向男根标志物转化了——高挑的壶嘴酷肖勃起的阳具。
    初民们的性器崇拜,首先是从女阴崇拜开始的,上述民俗事象已经给予了证明。这一方面反映了原始社会女性在社会生活中的主导地位。同时也表明人类生育认识的局限性。也就是说,人类社会处于母系社会时,完全不知道人到底是怎样生育的,只好借助于有关的物体:女阴、瓜、葫芦、壶等作为生殖神的藉附体来顶礼膜拜。
    下面,再说说楚先民对男性阳具的崇拜。
    随着父权制的确立,男子的社会地位日益提高,人们的生育观念亦有了变化,已初步认识到了男子在生育中的作用,但是,仍然不能理解生育的真正原因,因而就产生了对男性阳具的崇拜。亦即男根崇拜,并逐渐取代了女阴崇拜,鄂东南山区毛铺邓氏家族祭祖时的主要供品——子孙粑,就是这种男性阳具崇拜的一种标志物。这里所祭之祖,主要是指古时的邓氏初祖。每年在春节和清明节各举行一次祭祀。鄂东南地区的祖灵崇拜,有着典型的楚文化特色,整个仪式赋有神秘的巫术文化内容。其中的供品—子孙粑,又名太公卵,由精籼米加糯米舂成粉,兑进清甜的山泉水揉合,捏成圆条型。每根长约13—15cm,手指般粗壮,一端用拇指和食指稍许捏扁,并在顶端点一点红,象征尿道口(图2—2),共做三根或九根;再做一个直径为3.5~6cm的扁圆粑,一齐上笼蒸熟即成。制作时忌小孩讲破口话,故一般事先要差开小孩。
    清明节祭祖时,先平放扁圆粑于一碗内,再在上面放圆条型的粑,如若三根,就顺坟向并排置于扁圆粑上;如若九根,就垂直交叉迭成三层,每层三根。春节祭祖则将粑摆在祖堂祖宗牌前,排法如前述。
    这种排法与男上女下的常用性交体位暗合,或许前者正是后者的写照。象征男根的三根或九根圆条粑(尤其是九根,已达到阳数之极了),均表示其多,而象征女阴的扁圆粑,只有一个。乍一看,其象征意义是男的多,女的只有一个,好像产生于只知其母而不知其父的母权社会,是女阴崇拜的遗念;其实不然,它应该是男根崇拜,因为,子孙粑是一种祭祀用的供品,而供品在祭祀‘中意味着它是上一次向祖灵乞求福佑后的收获成果,祭祀是一种事实的报告,而祈请则是第二步的。所以在此处,它的初义是向祖灵禀报家族子嗣众多(且男多女少,这是符合农耕生活心理及生产需要的),而且还希望今后仍然如此,所以有了第二层含义,也就是祈求男根增多。这一点我们可以从其名称中得到证实,“子孙粑”含有繁衍子孙之义,而“太公卵”其义就显而易见了,就是指男性生殖器官,也就是说它是以初祖(太公)的男根命名,焉知其不曾含有借太公之伟力(以分食太公卵为“手续”,将太公之强盛的生殖力转移到食用者身上)求得家族子嗣的兴旺。再从它的形状看,圆条型完全是摹拟勃起状的男根,已见其崇拜的实质所在了。该地俗语有云“太公的卵子,人人有份”,也可说是男根崇拜的一种折射反映。因此,可以说子孙粑是男根崇拜的标志物,是典型的楚地生殖崇拜的遗痕。
    只有到了人们不仅知其母,而且亦知其父,也就是说,开始认识到男子在生育中的作用时.父权制才算完全确立。此时,阳具崇拜的诞生才是必然的。
    在鄂东南地区不仅遗存着女阴、男根崇拜的标志物,而且还存在着女阴崇拜向男根崇拜转化期的标志物,这是楚地生殖崇拜遗痕的一大特点。这可以从仍然存在的民俗事象中得到印证:乡村婚床上的绣花枕顶。大都是牡丹、牵牛花、福、禄、寿、禧等表示吉祥如意的图案,但是,鄂东南地区众多的绣花枕顶中,有一种绣花枕顶的花纹,藤蔓中歹F放的不是花,而是一只茶壶。壶嘴的下方是另一枝藤顶,开的也不是花,是一只杯子(图2一3)。显然这里的茶杯是女性生殖器的标志,而茶壶已转化为男性阳具的标志物了。这与观音菩萨由男变女(观音在印度本为男身,到了中国后才转变为女身)性别转换相似,只是方向相反。
    以上所述大都是生殖崇拜中的性器崇拜遗痕,在鄂东南地区还保留有生殖崇拜的另一种表现形式——母亲崇拜的遗风。
    所谓母亲崇拜,主要是指对妇女分娩过程的崇拜。据清同治四年木刻版本《北斗本命经》载:妻子生育日必设坛诵《北斗本命经》。也就是说,古时在妇女分娩时要举行隆重的祈祷仪式。湖北省阳新县大冶市交界地带的“哭血堂”就是这种习俗的遗存。所谓“哭血堂”是指女儿出嫁前在其诞生的产房里举行特定的哭嫁仪式,一般是生母和伴嫁的七姊妹陪哭,不穿鞋袜,边哭边踩床前踏板十下,其目的据说是感谢王母娘娘送子开辟产房之恩,获取产房之胎气,以利新娘将来的生育。笔者以为,其起源似应更早,归结到王母身上只是后人的一种附会。其哭唱的开头内容是:“百花百开头朝阳,嫁歌开哭踩血堂,血堂本是仙人开,王母娘娘送子来,送来天仙美貌女,踏板里面听缘由。”接着就是《十月怀胎歌》哭唱孕妇十月怀胎的苦楚。当地女子分娩时也有哭唱《十月怀胎歌》的习俗。   
    说到哭嫁,鄂东南地区《哭嫁歌》中的一种独有内容——“哭百花”,亦具有生殖崇拜、女阴崇拜的底蕴。在整个哭嫁过程中,以“花”贯穿始终,首首哭嫁歌均不离花,其内容就是将女儿以花作比,哭诉母女深情,劝喻女儿到婆家如何为人,对女儿未来的生活予以祝福。反复咏叹、铺陈。这里以花象征女性绝非偶然,因为花朵是植物的生殖器官,而女阴是女性的生殖器官,其间的对应关系是不难理解的。   
鄂东南地区的性器崇拜(包括女阴崇拜和男根崇拜),祖灵崇拜和母亲崇拜构成了该地生殖崇拜的主要内容。有崇拜就有禁忌,鄂东南地区在存在生殖崇拜的同时,亦存在生殖禁忌。其主要的禁忌习俗表现有月经禁忌,即新婚之夜“骑马(指带月经)进房,家败人亡”之说,而在实际生活中,有时难免迎娶时“撞红”(即来月经)——“骑马”,怎么办呢?民间自有其破解方法。那就是在新房门口放一个马鞍和一盆火,以之相克、破解,在外人看来是谓之平平安安、红红火火,以示祝贺。由此看来,后世婚嫁习俗中的诸多事象,都有着生殖崇拜的底蕴,只是因为年代的久远,其初始意义已不为常人所知,因而被附会、臆解出一些新的意义。这不在本文叙述之列,故略。至于还有性交、性器等禁忌与汉族其他地区大致相同,恕不一一列举。


[ 本帖由 kxj2005 于 2008-5-31 20:08 最后编辑 ]
发表于 2008-6-1 18:33:12 | 显示全部楼层
 楼主| 发表于 2008-5-31 19:52:11 | 显示全部楼层 |阅读模式
Ke Xiaojie
Hubei Folklole assoliation,china
     Melon,Pot,Offspringcake:Symbols of Reproduction Worship An Initial Study on the Traces Left from the Ancient Custom of Reproduction Worship in Southeastern Hubei

Abstract
In Southeastern Hubei Province,China,country folks revers piously things like melon,pot and bamboo by means of special rituals or taboos as well as in their everyday life.With close observation and an extended and in depth survey into relevant folk songs,customs,proverbs and early literature,the following article unvailed the bomogeneity and substance,seldom noticed before,of these traditional practices.What is more,the author pinpoints the connection between existing customs and Chu楚Culture,an ancient civilization built up on the very land.

Key words:queer practices —“ordinary”symbols—reproduction worship

The term “totemism” originated from the dialect of ojibways in North America.Totemism emerged during the interim between primitive group—marriage system and matri—clan system,and prevailed in the Matrilineal Commune Period.Reproduction worship was one of the early totemisms.The primitive people could not explain scientifically the growth of plants,the multiplication of animals or the reproduction of human beings.Or in other words,they knew little about the structure and function of human reproductive systems,so they thought that all these were controlled by a supernatural power,and believed that all objects and beings in the universe had soule and irresistable magic power.Therefore they mystified the reproductive power,with no exception of human genitals,to which ancients paid homage by performing special rituale.
Nowadays,reproduction worship seems remote to us,or no longer existion.But in fact,it is still right around us though we seldom notice it.For instace,in the mounti\ain ares in Southeastern Hubei,people still worship gourd,melon and bamboo,the Deng family in maopu毛铺(a muntainous district in Southesstern Hubei)offers Zhi sun ba子孙粑(offspringcake)-the curious sacrifice-to their ancestors in the memorial ceremony.There are traces left from ancients reproduction worship.
The reproduction worship of ancients in Hubei was mainly composed pudendum worship,penis worship,ancestror spirit worship and mother worship,most of which were symbolized with corresponding objects and accompanied with customary activites.
Ancient pudendum worship can be illustrated with the existing folk custom in Southeastern Hubei.
At Midautumn Night,villagers still practise a traditional activity-mo qiu摸秋(stealing melone).When the moon rises,a person would slip into a neighbour’s vegetable gardon,pick a waxgourd or pumpkin(fan gua 饭瓜[grain-melon,melon that can be eaten as staple-food],as is called by the local people)and is deliberately loud in his action so as to stir the gardon owner to curse,the fiercer,the better.The stolen melonis then carved into a baby-shaped toy with a hole at the bottom,in which a red chile is inserted.Beating drums and striking gongs,the “thief”then takess,the melon to a childless family and wishes the family an immediate son.At night,the sterile woman would sleep with the “baby”,which is placed on the inner side of the bed.Melon thieves are mostly close friends or relatives to the childless family.Sometimes,the thieves are the sterile women themselves or their husbands.
This custom is actually a menifestation of pudendum worship.Because of belief in witchcraft,ancient people had long since viewed melon and reproduction as the same thing,thus symbolizing fertility with melon. Waxgourds and pumpkins are chozen because of their big gize,abundance of seeds and a resemblance to women's abdomen in pregnancy.The gardon owner is hoped to curse,as the saying goes that" the more one is cursed, the more prosperous he will be".Mentality of reproduction worship is revealed heren the one hand ,the owner has his melon stolen,which implies that his offsprings become fewer,so he must curse;on the other hand, worshiped as they are,genitals are regarded filthy.therefore it is mixed with curses and this results in the odd thinking that"the more one is cursed,the more prosperous he will be".According to another local custom,women's first sexual intercourse is phrased as"the breaking of the melon",which also mirrors primitive people's melon worship,due to their misunderstanding of melon.
Gourd worship is especially popular in Southern minority regions. It can also be found in Han region in Southeastern Hubei.One of the specimens is the"F1ood Myth",which claims that human beings were pr琽duced from gourds(or pumpkrns),For example,the legend of Meng jiangnu 孟姜女(Lady Meng Jiang)says that she was born by the gourd growing between the yard walls of Meng family and Jiang family.Clearly the gourd is identified with pudendum,female and wombs.In everyday life,it is chiefly sawed into two parts to make ladles.What is miraculous is its capability of curing diseases.In rural areas, water decoted with gourd is prescribed,when a boy catches hernia. Children infl-icted parotitis are treated with it,too.Usually,people heat gourd by a fire,then rub it against the swollen part,chanting at the same time "parotitis,parotitis,gourd rubs parotitis;the longer it rubs, the smaller  the parotitis".These remedies took the form of witchcraft,thus mystified by the magic cofer.In fact,gourds themselves have indeed healing efficacy.Its shell, tranquil in nature and sweet in taste,is often applied in dealing with illnesses such as dropsy and abdominal distension.
In mao zhuan 毛传(an ancient book explaining terms used in earlier works),it is stated that"pot 壶"reffered to"hu瓠".As time passes by, pots took the place of gourds, which is shown in the specific conventional practice in Southeastern Hubei.When a baby is born,winepots made of gourds play a unique part in reporting good news to the maternal grandmother.Put in a gift basket,the winepot tells whether the newborn is male or female, by the direction of its mouth.If the mouth points inside,the infant is a boy;if outwards,a girl,symbolizing the old saying"nu sheng wai xiang 女生外向(daughtere will be others,since she will be married out sooner or later)"At the completion of a new house or a moving,friends and rela瑃ives would present sweet tea in a pot to the family in its new residence. Again teapot is used as a symbol of the womb,denoting prosperity.
The primitive people's worship to reproductive organs started from pudendum worship,as is already proved by the above-mentioned conventi-onal practices.It shed light on women's dominance in the primitive social Iife,as well as the then limited knowledge of reproduction.In the matr琲archal society,people had not the vaguest idea about how infants were conceived,so they made these similar objects:pudendum,melon,gourd,pot and the like as their totems.
Yet along with the establishment of patriarchy,man's status was enh-anced and concept of reproduction experienced significant change: people began to realize the part men play in reproduction,though they still did not know the actual process of reproduction.Consequently,peni8 worship came into being and supplanted gradually that of pudendum.Presently in maopu 毛铺,a district in Southeastern Hubei,a certain Deng family still
practise a ritual where their principal sacrifice offspringcake is
precisely a totem of penis worship.This ancestor   —memorial ceremony is held duning Spring Festival and on the Clear—and—Bright Day to commemorate their common forefathers in primitive time.Though a form inherited form Zhang Yuan 中原 (the Central Plains) Culture,ancestral spirit worship in Southeastern Hubei differs essentially from the former,in possessing a feature of Chu楚 Culture—mystified with witchcraft.The offered sa— crifice —offspringcake,also called Tai Gong Luan 太公卵(the forefather's testes),is made of powered rice and glutinous rice,kneaded with pure > sweet muntain spring water and molded into three or nine thin,rounded bars,13 —16 cm in length,2 —3 cm in diametre,like human fingers.One end of each bar is slightly flattened and painted red at the tip,imitating the orifice of the urethra.Apart from that,a flat round cake,3.5    —6cm in diametre,is also made.Then,all these are steamed.In order to ovoid the slips of tongue,children are kept off during the procedures.
If the ritual is held on Clear   —and—Bright Day,people would contain in a bowl the flat cake with rice —bars on it in a line,toward the tomb, if the number of bars is 3.If it is 9,the bars are stacked in 3 layers, 3 bars each layer and the ones in the middle layer are right angle to those in the other layers.Durmg Spring Festival,the cakes are laid be琭ore the memorial tablet of ancestors in the Family Commemoration Hall, arranged as above.
But dose the theory hold water that the offspringcake is the trace of primodial phallism?
We can see that the arrangement of the offspringcakes represents the body positions in sexual intercourse    — man on top of woman.The number of the bars,3 or 9,indicates the abundance of peruses and the only flat cake stands for pudendum/The number seems to suggest a matriarchal society —people knew their mothers,not their fathers.In fact,however, it is penis worship —hoping to have more male desoendants(with penis as an indication),which can be furthur affirmed by the word"offspringcake "that implies propogation of heirs.The other term tai gang luan"(for-efather's testes),is more explicit,reffering directly to male reprod-uctive organ.As to the shape,the bars are vivid portait of erected penises,and it unmistakenly hints the nature of the worship.The saying "forefather's testes,everyone has a share"is also a reflection of penis worship.With these proofs.it is reasonable to conclude that offspringcake is the totem of penis worship and a typical mark of ancient phallism.
When primitive people got knowledge little by little of man's role in reproduction and realized that no offspring would be born without the mating of man and woman,it is inevitable that anciets changed from pudendum worship to pballism.This transition is an important charactor of phallism in ancient Chu Culture,which is proved by the existing folk custom and practices.In the countryside,the pillowslip on the wedding bed is usually embroidered with the auspicious designs of peony, morn-ingglory,and Chinese characters like fu福(blessings),lu禄(affluence), shou 寿(longevity),xi禧(happiness) .But among the many embroidered pil琹owslip patterns,in Southeastern Hubei,this is a quite different one, which includes,instead of flowers,a teapot admist ratterns and vines and a cup beneath its raouth.Obviously,the teapot is no longer the token of pudendum,but has become the symbol of penis.Here,some enlightening clues are given which will help us to better understand the gender me-tamophosis of guan yin 观音(Avalokitesvara).
All that has been discussed above is the imprint of ancient rep-roductive organ worship,one form of reproduction worship;and mother worship,another form of reproduction worship,can also be traced in Southeast Hubei.
Mother worship mainly refers to the reverence of momen in partun-ritaon.At this event,grand praying ceremonies are performed.In the juncture of Yangxin 阳新 and Daye大冶(two places in Southeastern Hubei), this custom remains in the form of "crying the Blood Hall",an unusual wedding,which takes place at the departure of the bride,in her birth room-the Blood Hall.Usually the bride must chant some traditional songs,and her mother and seven concomitant sisters chant with her.The bride would tread the etepboard in front of the bed,barefooted,while singing and sobbing.It is said that the purpose is to thank wang mu niang niang 王母娘娘(Mother Empress Dowager)for her grace of bringing the child,and to draw luck from the birth room to have more chances of pregnacy and smooth deliveries later.The content of the chanted songs is mere often than not the Kai Tou Ge 开头歌 (Song of Opening): To the sun are all the flowers blooming; stepping the Blood Hall we are chanting. The Blood Hall is set up by the god, and the child is given by Mother Empress Dowager, A little girl as pretty as an angel she sent us; how she arrived and left the stepboard only knows. The Shi Yue Hum Tai Ge 十月怀胎歌(Song of Pregnancy)tells of women's pain throughout their ordeal which lasts as long as ten months.The latter is also chanted during parturition to show respect to the suffering woman. Another strange phenomenon worth mentioning in kujia 哭嫁(departure chanting)is the custom of Ku Bai Hua 哭百花(crying the flowers).In songs of this type,flowers are reffered to repeatedly and the bride is compared to flowers.These songs are chanted to express the affection betw琫en mother and daughter,to advise the daughter how to conduct in her hus琤and's home and to bless the bride's awaiting life.Usmg flowers as the token of women is by no means accidental,because flower is the reproduc-tive organ of plants and pudendum women the connection between is self —evi — dent. One of the reasons why ancients perform ceremonies to worship women in parturition is probably that they were ignorant of the mechanism of reproduction,and were awed by the sight of women delivering babies.An-other reason why women's parturition was regarded so important is that the number of population and the state of its constitution could determine the rise and decline of a tribe in the primitive society,which had very low    — levelled productive forces.
Besides the major forms of reproduction worsbip,as has so far been    , studied,an interesting convention  —bamboo worship,which looks like plant worsbip.is also related delicately to reproduction worship.In rural areas, there are large number of courtyards with bamboo groves shielding houses. The belief that"family sheltered by bamboo has its progeneration succeed in every field"enables us to have a glimpse of the bamboo —worship psychd- olodge.Peopie ascribe divinity to bamboo and take its exuberance as a sign of the prosperity of the family and an omen of humgn fate.If a bamboo in the yard dies,it is canaidered oinencus and must be eradicated or substi-tuted with a new one,otherwise disasters will be on the way.If the bamboo blooms,it is a premonition of famine and catastrophy;there are proverbs as"baraboo blooms,and people move","bamboo blooms,the family collap-ses and people die".However,if bamboo thrives ,it betokens boom of the family and safety of the house.Why are there so many sayings linking human doom and the conditions of bamboo's growth together.The main reason is that ''such pious wcrahip,as that paid to bamboo is undoubtedly a mark left by totemism in the primitive society"(Custom Annals of the Southwest Nati-onal Minority,P75,by China's Folk Art Publishing House,1982)
Obvioufily,bamboo is one of the totems of reproduction worship.In ancient times,bamboo leaves were viewed as the couterpart of pudendum. According to Sui Shu 隋书(a histong book of Sui Dynasty).Protocal II, to the west of the inner passage to the northgate of Liang Tai Miao 梁太庙(the Ancestral Commemoration Temple of the Liang Family),there was a stone with patrerns of bamboo leaves.The "stone" refers to the Jiao Mei 郊

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